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Comparison of different microphone positions for orchestra instruments |
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Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
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The Orchestral Instruments
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Flute 1
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| Bach, St Matthew Passion |
Flute, Xiangchen Ji |
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| from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Joni Saksala |
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| Flute 2 |
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| Debussy, Prelude to the Afternoon of a Faun |
Flute, Xiangchen Ji |
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| from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Joni Saksala |
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Flute 3
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| Prokofiev, Peter and the Wolf Op.67, The Bird |
Flute, Xiangchen Ji |
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| from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Joni Saksala |
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| Piccolo |
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| Beethoven,Symphony No.9, Op.125 |
Piccolo, Xiangchen Ji |
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| from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Joni Saksala |
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Flute Solo
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| Sigfrid Karg-Elert, Sonata Appassionata f sharp minor |
Flute, Xiangchen Ji |
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| from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Joni Saksala |
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Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
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