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 | Comparison of different microphone positions for orchestra instruments |  
        
          |  | Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course 
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              |  | The Orchestral instruments 
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                | Viola 1 
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                | Puccini, Manon Lescaut, Act III, Intermezzo, 8- | Viola, Laura Holke |  
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                | from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Joni Saksala |  
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                | Viola 2 |  |  
                | Beethoven, Coriolan, Op.62, Overture, 100- | Viola, Laura Holke |  
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                | from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Joni Saksala |  
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                | Viola 3 |  |  
                | Bruckner, Symphony No.4, II, 51- (con sordino) | Viola, Laura Holke |  
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                | from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Joni Saksala |  
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                | Viola 4 |  |  
                | Mahler, Symphony No.10, I, 14, 5- | Viola, Laura Holke |  
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                | from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Joni Saksala |  
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                | Viola Solo 
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                | Bach, Cello Suite No.2 in D minor, BWV 1008, Prelude | Viola, Laura Holke |  
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                | from the instrument to mic=248cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Joni Saksala |  
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          |  | Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae 
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