Comparison of different microphone positions for orchestra instruments : Bass Drum

Comparison of different microphone positions for orchestra instruments

	Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course

The Orchestral Instruments

	Strings	Woodwind	Brass	Percussion
	Violin Viola Cello Contrabass	Flute Oboe Clarinet Bassoon	Horn Trumpet Trombone Tuba	Timpani Bass Drum Snare Drum

Bass Drum
Angled BigStick	Bass Drum, Christoph Lindner
<table width="994" height="27" border="0" cellpadding="0" cellspacing="0" bgcolor="#FFFFFF"> <tr> <td width="994" height="13" align="left" valign="top"><span class="abc"><span class="abcBig"> Violin 1</span> Mozart, Symphony No. 39 K. 543, Finale<br/> </span></td> </tr> <tr> <td height="14" align="right" valign="top"><span class="abc">Violine, Cathy Heidt, Tonmeisterin, Ellinor Krämer </span></td> </tr> </table>
from the instrument to mic=245cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 17, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 21	Tonmeister, Thorsten Weigelt

Bass Drum
Horizontal BigStick	Bass Drum, Christoph Lindner
<table width="994" height="27" border="0" cellpadding="0" cellspacing="0" bgcolor="#FFFFFF"> <tr> <td width="994" height="13" align="left" valign="top"><span class="abc"><span class="abcBig"> Violin 1</span> Mozart, Symphony No. 39 K. 543, Finale<br/> </span></td> </tr> <tr> <td height="14" align="right" valign="top"><span class="abc">Violine, Cathy Heidt, Tonmeisterin, Ellinor Krämer </span></td> </tr> </table>
from the instrument to mic=245cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 17, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 21	Tonmeister, Thorsten Weigelt

Bass Drum
Vertical BigStick	Bass Drum, Christoph Lindner
<table width="994" height="27" border="0" cellpadding="0" cellspacing="0" bgcolor="#FFFFFF"> <tr> <td width="994" height="13" align="left" valign="top"><span class="abc"><span class="abcBig"> Violin 1</span> Mozart, Symphony No. 39 K. 543, Finale<br/> </span></td> </tr> <tr> <td height="14" align="right" valign="top"><span class="abc">Violine, Cathy Heidt, Tonmeisterin, Ellinor Krämer </span></td> </tr> </table>
from the instrument to mic=245cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 17, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 21	Tonmeister, Thorsten Weigelt

Bass Drum
Angled Medium Stick	Bass Drum, Christoph Lindner
<table width="994" height="27" border="0" cellpadding="0" cellspacing="0" bgcolor="#FFFFFF"> <tr> <td width="994" height="13" align="left" valign="top"><span class="abc"><span class="abcBig"> Violin 1</span> Mozart, Symphony No. 39 K. 543, Finale<br/> </span></td> </tr> <tr> <td height="14" align="right" valign="top"><span class="abc">Violine, Cathy Heidt, Tonmeisterin, Ellinor Krämer </span></td> </tr> </table>
from the instrument to mic=245cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 17, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 21	Tonmeister, Thorsten Weigelt

Bass Drum
Angled Leather Stick	Bass Drum, Christoph Lindner
<table width="994" height="27" border="0" cellpadding="0" cellspacing="0" bgcolor="#FFFFFF"> <tr> <td width="994" height="13" align="left" valign="top"><span class="abc"><span class="abcBig"> Violin 1</span> Mozart, Symphony No. 39 K. 543, Finale<br/> </span></td> </tr> <tr> <td height="14" align="right" valign="top"><span class="abc">Violine, Cathy Heidt, Tonmeisterin, Ellinor Krämer </span></td> </tr> </table>
from the instrument to mic=245cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 17, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 21	Tonmeister, Thorsten Weigelt

	Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
	Top page