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 | Comparison of different microphone positions for orchestra instruments |  
        
          |  | Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course 
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              |  | The Orchestral Instruments 
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                | Clarinet B flat 1 
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                | Beethoven,Symphony No.6, Op.68, II | Clarinet, Sandra Schnappauf |  
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                | from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Joni Saksala |  
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                | Clarinet B flat 2 |  |  
                | Weber, The Marksman Op. 77, Overture | Clarinet, Sandra Schnappauf |  
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                | from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Joni Saksala |  
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                | Clarinet A 1 
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                | Prokofiev, Peter and the Wolf Op.67,  229 | Clarinet, Sandra Schnappauf |  
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                | from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Joni Saksala |  
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                | Clarinet A 2 |  |  
                | Puccini, Tosca Act3, 11 | Clarinet, Sandra Schnappauf |  
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                | from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Joni Saksala |  
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                | Clarinet A Solo 
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                | Béla Kovács, Hommage to Manuel de Falla | Clarinet, Sandra Schnappauf |  
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                | from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Joni Saksala |  
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                | Bass clarinet 1 |  |  
                | Shostakovich Violin concerto No. 1 op. 77, II, 23- | Bass clarinet, Sandra Schnappauf |  
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                | from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Thorsten Weigelt |  
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                | Bass clarinet 2 |  |  
                | Shostakovich Symphony No. 7, II, 40- | Bass clarinet, Sandra Schnappauf |  
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                | from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Thorsten Weigelt |  
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                | Bass clarinet 3 |  |  
                | Strauss, Don Quixote op.35, 14- | Bass clarinet, Sandra Schnappauf |  
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                | from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Thorsten Weigelt |  
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                | Bass clarinet 4 
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                | Wagner, Tannhäuser, Act III | Bass clarinet, Sandra Schnappauf |  
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                | from the instrument to mic=288cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Thorsten Weigelt |  
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          |  | Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae 
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