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 | Comparison of different microphone positions for orchestra instruments |  
        
          |  | Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course 
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              |  | The Orchestral Instruments 
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                | Bassoon 1 
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                | Beethoven, Symphony No. 4 Op. 60,  IV, 184- | Bassoon, Chienwei Wui |  
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                | from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Shintaro Sugirra |  
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                | Bassoon 2 |  |  
                | Mozart, The Marriage of Figaro, Overture | Bassoon, Chienwei Wu |  
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                | from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Shintaro Sugirra |  
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                | Bassoon 3 |  |  
                | Ravel, Boléro, 2- | Bassoon, Chienwei Wui |  
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                | from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Shintaro Sugirra |  
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                | Bassoon 4 |  |  
                | Tchaikovsky, Symphony No. 4 Op. 36, II, 274- | Bassoon, Chienwei Wui |  
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                | from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Shintaro Sugirra |  
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                | Bassoon Solo 
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                | Bach, Partita a-Moll, BWV 1013 | Bassoon, Chienwei Wui |  
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                | from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 | Tonmeister, Shintaro Sugirra |  
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          |  | Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae 
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