|
Comparison of different microphone positions for orchestra instruments |
| |
Joint Research Project with Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course
|
| |
  |
| |
| |
The Orchestral Instruments
|
Bassoon 1
|
|
| Beethoven, Symphony No. 4 Op. 60, IV, 184- |
Bassoon, Chienwei Wui |
|
| from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Shintaro Sugirra |
| |
| Bassoon 2 |
|
| Mozart, The Marriage of Figaro, Overture |
Bassoon, Chienwei Wu |
|
| from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Shintaro Sugirra |
| |
| Bassoon 3 |
|
| Ravel, Boléro, 2- |
Bassoon, Chienwei Wui |
|
| from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Shintaro Sugirra |
| |
| Bassoon 4 |
|
| Tchaikovsky, Symphony No. 4 Op. 36, II, 274- |
Bassoon, Chienwei Wui |
|
| from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Shintaro Sugirra |
| |
Bassoon Solo
|
|
| Bach, Partita a-Moll, BWV 1013 |
Bassoon, Chienwei Wui |
|
| from the instrument to mic=291cm, AB : DPA 4006 AB50cm / RME Micstasy Gain 33, PZM : Schoeps BLM 03C Spaced Pair 50cm / RME Micstasy Gain 37 |
Tonmeister, Shintaro Sugirra |
| |
|
| |
Copyright ©2018 Studiengang Tonmeister der Universität der Künste Berlin, Nagoya University of the Arts Soundmedia Composition Course, Kazuya Nagae
|
| |
Top page |
|